Showing posts with label post-punk. Show all posts
Showing posts with label post-punk. Show all posts
Friday, January 30, 2009
This Heat health and efficiency
This Heat "Health and Efficiency" 1985
According to Wikipedia This Heat entry:
This Heat were a British experimental music group formed in late-1975 in Brixton, London by multi-instrumentalists Charles Bullen (guitar, clarinet, viola, vocals, tapes), Charles Hayward (drums, keyboards, vocals, tapes) and Gareth Williams (keyboard, guitar, bass, vocals, tapes).
This Heat were active in the ascendancy of British progressive rock and punk rock, but stood apart from those scenes due to a radically inventive approach that touched on numerous different styles and genres, but was always confrontational and politically charged.
Their commercial success was limited, but This Heat are widely considered a missing link between progressive rock (especially krautrock) and such later experimental genres as post-punk, post-rock, and noise rock.
Band history
Their first radio airplay came in early 1977 from legendary DJ John Peel, to whom they sent a demo tape recorded in the band's 'Cold Storage' studio, which they'd converted from a disused meat factory. During this time, they also recorded a session with Ghanaian percussionist Mario Boyer Diekuuroh, parts of which later appeared on a 1982 split cassette with Albert Marcoeur, released by the French experimental rock magazine Tago Mago.
Their self-titled debut album was recorded between February 1976 and September 1978, and was released in August 1979. It was characterized by heavy use of tape manipulation and looping, combined with more traditional performance, to create dense, eerie, electronic soundscapes. Also released in this period was an EP, Health & Efficiency, which foreshadowed the more rock-oriented sound of their second album.
Deceit (1981), the band's second and final album was produced with help from noted reggae mixer Martin Frederick. Deceit found the band incorporating more influence from punk rock, and consolidating the world music influences in their work. Although, like all of This Heat's releases, it sold poorly, Deceit is now seen as a classic of the post-punk era comparable in quality and invention with Closer, Chairs Missing or Metal Box.
[edit] Legacy
This Heat split up in 1982 after completing their final European tour with bassist/vocalist Trefor Goronwy (whose earlier band Dog 2000 with Andy Bole recorded in "Cold Storage") and keyboardist Ian Hill joining Bullen and Hayward.
Hayward went on to form Camberwell Now with Goronwy and ex-This Heat soundman Stephen Rickard, and remains musically active. Charles Bullen had a solo venture called Lifetones, and released one record, "For a Reason", in 1983 on his Tone of Life imprint. Bullen later released the album "Internal Clock" under the name Circadian Rhythms in 1998.
In 1993 a new album of previously unreleased This Heat recordings was unearthed. Repeat featured three long tracks, including the title track, a 20 minute remix of "24 Track Loop".
"Out of Cold Storage", a box set of all the band's official recordings, was released in June 2006 on This is!, a new Recommended Records sub-label set up by Charles Hayward and Charles Bullen to re-release This Heat's back catalogue.
The set comprises This Heat, Deceit, Health and Efficiency, Made Available and Repeat, plus Live 80/81, a CD of concert recordings.
Williams later formed Flaming Tunes with Mary Currie and released a cassette of new material, in a much softer style than that of This Heat. He died in late 2001.
Labels:
experimental punk,
post-punk
Monday, January 26, 2009
Wednesday, January 7, 2009
Big Black kerosene
Big Black "Kerosene"
From Wikipedia article on Big Black:
Big Black was a noise rock band founded in Chicago, Illinois, United States, that was active between 1982 and 1987. They were headed by singer, lyricist, guitarist, and co-songwriter Steve Albini.
They sought and found little mainstream success, but the group's piledriver drum machines and brutal, slashing electric guitars were widely influential, especially for industrial rock. Albini's vocal style and provocative lyrics garnered much attention.
They have been classified as noise rock, and were a formative influence on industrial rock, but the band members have always described the band as punk rock; in the notes for Pigpile, a live recording of their final London performance, Albini explicitly describes Big Black as punk.
Labels:
art punk,
noise band,
post-punk
Wednesday, December 31, 2008
HTRK Hate Rock Trio ha
HTRK (Hate Rock Trio) "Ha"
HTRK (Berlin/Melbourne) performing "HA" at the Luminaire, London, 22-Oct-2006. Supporting the Devastations and ...bender
Labels:
art punk,
live shows,
noise band,
post-punk
Saturday, December 27, 2008
Pavement stereo
Pavement "Stereo"
"What about the voice of Geddy Lee [lead singer of Rush]? How did his voice get so high? I wonder if he speakks like an ordinary guy?"
Pavement "Brighten The Corners" CD, from which this song was pulled, has been re-mastered and re-issued with a bonus CD. Long live LoFi Post-Punk!
Saturday, December 13, 2008
No Wave Post-Punk Underground
No Wave: Post-Punk. Underground. New York. 1976-1980
No Wave is the first book to visually chronicle the collision of art and punk in the New York underground of 1976 to 1980. This in depth look at punk rock, new wave, experimental music, and the avant-garde art movement of the 70s and 80s focuses on the true architects of No Wave from James Chance to Lydia Lunch to Glenn Branca, as well as the luminaries that intersected the scene, such as David Byrne, Debbie Harry, Brian Eno, Iggy Pop, and Richard Hell.
In this Video, Thurston Moore and Byron Coley spend 12 minutes taking us back to that very special time in New York.
Wednesday, November 26, 2008
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