Tuesday, December 23, 2008

Arthur Lee and Love 7 and 7 is

Arthur Lee & Love "7 and 7 Is"

Arthur Lee & Love Live at Glastonbury 2003.

From Wikipedia:


Love's music has been described as a mixture of folk-rock, psychedelic rock, baroque pop, Spanish-tinged pop, R&B, garage rock, and even protopunk, although actually, the term psychedelic isn't really the right term to describe most of the major contemporary Los Angeles bands at that time (The Doors, Love, The Byrds).

Though Lee's vocals have garnered some comparisons to Johnny Mathis, his lyrics often dwell on matters dark and vexing, but often with a wry humor. The group's cover of the Burt Bacharach/Hal David composition "My Little Red Book" (first recorded by Manfred Mann for the soundtrack of What's New, Pussycat?) received a thumbs-down from Bacharach: Love had altered the former Marlene Dietrich bandleader's chord changes.

Nonetheless, the record was a Southern California hit and won Lee and Love a spot on American Bandstand.

Love released three albums with core members Lee, Echols (lead guitar, vocals), Bryan MacLean (guitar, vocals) and Ken Forssi (bass). The drum chair revolved between Alban "Snoopy" Pfisterer (Love, "Seven & Seven Is") and Michael Stuart (Da Capo excepting "Seven & Seven Is", Forever Changes).

However, it has been reported that Pfisterer found the demanding drum parts on "Seven & Seven Is" so exhausting that he and Arthur alternated takes, with Lee himself drumming on every other take.[citation needed] On Da Capo, Tjay Cantrelli was added on saxophone and flute while Pfisterer was moved to organ and harpsichord. Both were out of the group by the time Forever Changes was recorded.

Love (1966) included their cover of "My Little Red Book". Side two of Da Capo (1967) featured just one song — "Revelation", criticised by some as a weary jam. The first side, however, contained six individual songs, including their only single to achieve any success in the Billboard Top 40 chart: "Seven & Seven Is". Forever Changes (1967) followed, the album a centerpiece of the group's psychedelic-tinged sound, bolstered by the arrangements of David Angel.

Forever Changes is regarded by critics and fans alike as Love's finest recording, and one of the best records of the '60s. Despite this acclaim, the LP sold poorly in its time, although it reached the top 30 in the UK. Nonetheless, its cult status grew.


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